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Bernardy, Ralph. "Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation."

Brandenburg, Irene. "«Composé sur des airs d'opéras-comiques représentés à Vienne». Zu Glucks Ballettpasticcio Les aventures champêtres (Wien 1760)."

Burke, Devin. "The ‘war of images’ between Louis XIV and Leopold I: Jean-Baptiste Lully’s music and Il pomo d’oro in Vienna in 1667."

Cassia, Cristina. "From Pieces for Amateurs to Works of Art. Dance Music for Keyboard in Sixteenth-Century Italy."

Cazaux, Christelle, Martina Papiro und Agnese Pavanello (Hg.). Tanz und Musik. Perspektiven für die Historische Musikpraxis.

Channen Caldwell, Mary. "Revisiting the “Clerical Dance Song” in Medieval Europe."

Daye, Anne. "Measure: Moving In and Out of Time."

Delattre-Destemberg, Emmanuelle, Marie Glon, Yseult Martinez und Guillaume Sintès. "Pour une histoire des enseignantes en danse (France, XVIIe-XXe siècles)."

Domínguez, José María, Gloria Giordano und Chiara Pelliccia. "Beyond Magnificence: The Caduta and its Imagery in the Performing Arts In Seventeenth-Century Rome."

Gal, Mojca. "The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave."

Gélinier, Sophie. Francine Lancelot: Danse populaire, danse savante, musique baroque, des écritures de la danse.

Giordano, Gloria. "‘Si è fatto di nuovo ma impiegandovi molte cose del vecchio’: The Artifice of Magnificence in the Choreographic Episodes at the Seminario Romano."

Goulet, Anne-Madeleine, und Michela Berti (Hg.). Noble Magnificence: Culture of the Performing Arts in Rome 1644-1740.

Hagedorn, Volker. "Klang und Körper. Vier Schlüsselszenen aus der jahrhundertelangen Beziehung zwischen Musik und Tanz."

Harris-Warrick, Rebecca. "Ending an Opera: What Happens When Dancing Replaces Singing?."

Hazebroucq, Hubert. "Les airs d’opéra chorégraphiés: Transferts contextuels et exemplarité."

Hoppu, Petri, Egil Bakka, und Anne Margrete Fiskvik (Hg.). The Nordic Minuet: Royal Fashion and Peasant Tradition.

Lee, Michael. "Adapting Lully for the London stage: reading a chaconne of 1698."

Legler, Margit, Andreas Helm, und Reinhold Kubik. Barocke Tänze und ihre musikalische Umsetzung. Ein Lehrbuch.

Lo Monaco, Mauro. Danzare con misura. Indicazioni per un’esecuzione consapevole di musiche e coreografie dei balli di Domenico da Piacenza.

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