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Jablonka, Guillaume, und Bertrand Porot. "Pantomime et ballet-pantomime à l’Opéra-Comique dans la première moitié du xviiie siècle."

Jablonka, Guillaume. "Setting up the allemande within the Space of a Ballroom: Hypothesis based on Brives' Nouvelle Méthode from 1779."

Jablonka, Guillaume. "Testimony: The Dancing Master as a Body Shaping Sculptor."

Jacq-Mioche, Sylvie. “Au Conmencement Était La Danse: Une Histoire de La Danse à l’OnP.”

Jones, Alan. "Balli e Banchetti."

Kajdanska, Aleksandra. "Die transkulturelle Bedeutung des Tanzes an der Wende vom 17. zum 18. Jahrhundert: Maître de danse Gottfried Taubert und sein Rechtschaffener Tantzmeister (1717)."

Kajdanska, Aleksandra. "Miracles of the Orient: Balls dedicated to Oriental Legations in Poland at the Turn of the 18th to 19th Century."

Kajdanska, Alexandra. "Costume and the Etiquette in Eighteenth-Century Dance in Gottfried Taubert’s Rechtschaffener Tantzmeister."

Kajdanska, Alexandra. "Sumptuary Laws and Dance Customs at Weddings in Gdansk during the 17th and 18th Centuries."

Kandare, Camilla. "Queenship in Motion: Queen Christina of Sweden and the Embodiment of Social Protocol."

Kapitaikin, Lev A. "David’s dancers in Palermo: Islamic dance imagery and its Christian recontextualization in the ceilings of the Cappella Palatina."

Kappeler, Annette, Jan Lazardzig und Nicola Gess (Hg.). Images d'action: Claude-François Ménestrier’s Theoretical Writings on Festivals and Performing Arts: Translation and Commentary.

Karl-Johnson, Gabriella. "From the Page to the Floor: Baroque Dance Notation and Kellom Tomlinson’s The Art of Dancing Explained."

Kazárová, Helena. "Dance and Masquerade Costumes in Český Krumlov Castle: Their Past and Present."

Kenley, McDowell E. "Mad fools and the Praise of Folly: matassins and the ballets of Lully, Destouches and Campra (1660-1718)."

Kent, Ann and Paul. "The Nyne Muses - A Workshop. A realisation of the dance entitled The nyne muses."

Kintzler, Catherine. "Haïr le théâtre, haïr l’opéra, haïr la danse dans la France classique."

Kiss, Dóra. "Les partitions chorégraphiques citant Marie-Thérèse Subligny: sources d’hypothèses pour un portrait."

Kiss, Dóra. “Canonisation of the Danced Minuet over Centuries.”

Kjellsdotter, Anna. "The Royal Swedish Opera Costume Collection and Gustavian Dress."

Klapisch-Zuber, Christiane. "Salome's dance."

Kleinschmidt, Harald. "Vergesellschaftung oder Militarisierung?: Zum Wandel der Modalität der Regulierung von Haltungen und Bewegungen zwischen dem 16. und dem 19. Jahrhundert am Beispiel des Stehens und Gehens im Fechten, Tanz und Militär."

Knäble, Philip. "Canons & Choreographies: The Myth of the Medieval Church adverse to Dancing."

Knäble, Philip. Eine tanzende Kirche: Initiation, Ritual und Liturgie im spätmittelalterlichen Frankreich.

Koop, Christoph. "Kurzer Entwurf zur Publikationsumgebung des Rechtschaffenen Tantzmeisters."

Köth-Kley, Tina. "Jean Georges Noverres und Florian Dellers Ballett Alceste (1761). Probleme bei der Verknüpfung des Ballettszenars mit der Musik."

Kutlay, Evren, interviewed by Judith I. Haug. "Looking at the Orient Through turquerie: Ottoman Representation in 18th- to Early 19th-Century Ballets."

Kuzmick Hansell, Kathleen. "French and Italian in 18th–Century Theatrical Ballet with a Focus on Naples."

Lacheze, Cyril. "La pratique du violon à danser au tournant des XVIIe et XVIIIe siècles en France et en Allemagne."

Lacombe, Hervé (Hg.). Histoire de l’opéra Français: Du Roi-Soleil à La Révolution.

Lalonger, Edith, und Jonathan Williams. "Music, Dance and Narrative in Rameau’s Zaïs: Bringing the Immortal back to Life."

Lalonger, Edith. "Flowers and Combats: Observations on Ballets Figurés in the Operas of Jean-Philippe Rameau."

Laporte, Véronique. "Entre désordres et gaieté populaire, les bals publics aux Champs-Élysées (1770-1825)."

Laurenti, Jean-Noël. "Zur wechselseitigen Bedingtheit von Musik und Tanz in den theoretischen Schriften Feuillets (1700-1704): Grundprinzipien und Probleme."

Lecomte, Nathalie. "La distribution des danseurs: Du "livre de ballet" aux représentations."

Leconte, Thomas. "Mythes et ballet de cour au XVIIe siècle: le « ballet du roi » et la construction d'une mythologie royale."

Legrand, Raphaëlle. "Sur un air de rigaudon: L’écriture musicale des danses, définitions et modèles (1688-1739)."

Leon, Anna. Expanded Choreographies – Choreographic Histories: Trans-Historical Perspectives Beyond Dance and Human Bodies in Motion.

Leucci, Tiziana. ""Le Triomphe de Bacchus dans les Indes" (1666) & "Le Triomphe de l'Amour" (1681): Two French Court Ballets as Examples of King Louis XIV's Politics at Play, in a "Play within a Play"."

Leucci, Tiziana. "The "Moresca" and the "Kolattam" Stick-Dances in Pietro della Valle's 17th Century Travel Accounts of South India."

Leucci, Tiziana. "The 16th century Portuguese travel accounts on the origin of the Indian dancer character of the "Bayadère" in the European literary and stage productions."

Lo Monaco, Mauro, und Sergio Vinciguerra. "Transitions between musical measures in 15th-century Italian dances."

Locke, Ralph P. Music and the Exotic from the Renaissance to Mozart.

Lohman, Laura (Hg.). Researching Secular Music and Dance in the Early United States: Extending the Legacy of Kate Van Winkle Keller.

Louison-Lassablière, Marie-Joëlle. "Pourquoi tant de haine? La condamnation de la danse dans la Chrestienne Instruction."

Lymniati, Roula. "Making Movements and Dances from Illustrated Dancing Bodies on Vases from the Geometric Period & Ancient Texts."

Magnus, Hannelore. Hiëronymus Janssens (1624-1693), the Antwerp 'à la Mode' Painter: Fashion and Dance in Southern Netherlandish Genre Painting, 1645-1685.

Maione, Paologiovanni. "Nuove indagini sulla scena napoletana negli anni dei soggiorni di Gennaro Magri: Contratti, musiche, abbattimenti."

Malkiewicz, Michael. "Étienne und Albert Laucherys Ballette für Mannheim, München und Berlin."

Mar Valls, Maria del. "The painted ceiling of Santa Maria de Llíria and its dancing images."

Marchal-Ninosque, France. "Creating Dance Professionals in the Capital City: The Paris Opera’s School of Dance at the Heart of a Late-Eighteenth-Century Monopoly."

Marcsek-Fuchs, Maria. Dance and British Literature: An Intermedial Encounter (Theory - Typology - Case Studies).

Martin, Meredith (Hg.). Reimagining the Ballet des Porcelaines: A Tale of Magic, Desire, and Exotic Entanglement.

Martinuzzi, Paola. "Danse théâtrale et ballet-pantomime aux Théâtres de la Foire et à la Comédie-Italienne (1690-1750): Le chemin d’une nouvelle expressivité."

Massari, Noemi. "Alla ricerca di un tesoro, un’esperienza unica nella carriera di Gennaro Magri."

Masson, Raphaël. "Le bal paré à la cour de France au xviiie siècle."

Masten, April F. "Challenge Dancing in Antebellum America: Sporting Men, Vulgar Women, and Blacked-Up Boys."

Maurmayr, Bianca. "Marie-Catherine Guyot: une danseuse professionnelle du XVIIIe siècle, entre norme et invention."

Maurmayr, Bianca. "Venetian Theatrical Dance in Paris: Italian Influence on French Ballet during the Seventeenth Century."

Mayer, Christine. “Education Reform Visions and New Forms of Gymnastics and Dance as Elements of a New Body Culture and ‘Body Education’ (1890-1930).”

Mayes, Catherine. "In Vienna “Only Waltzes Get Printed”: The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century."

McCleave, Sarah. "Handel and his Dance Interpreters."

McCleave, Sarah. "What place for a woman? Dancing in London’s theatres circa 1770–1810."

McCulloch, Lynsey. "Shakespeare and Dance."

McCulloch, Lynsey. "Wondrous Motion: Recovering Dance from The Tempest."

McGowan, Margaret M. "Dance’s Debt to Artists in Early Modern France."

McGowan, Margaret M. "Love and dance as transformative powers."

McGowan, Margaret M. "Marguerite de Valois, Reine de Navarre (1553-1615): Patroness and Performer."

McGowan, Margaret M. "Masquerades at Binche: A New or Traditional Spectacle?."

Mettel, Michaela. "Der Ball als »cultural performance«: Kriterien einer methodologischen Analyse."

Miller Renberg, Lynneth, und Bradley Phillis (Hg.). The Cursed Carolers in Context.

Miller, Lynneth J. "Divine punishment or disease? Medieval and early modern approaches to the 1518 Strasbourg dancing plague."

Millette, Holly Gale. "‘Mad About the Blonde’: Lydia Thompson’s Transatlantic Celebrity and Fandom."

Miracle, Gabriele. "Percussion in Early Dance. Looking for a ‘Historical’ Groove."

Moehlenpah, Amanda Danielle. "'Les assemblées qu'elle occasionne': Danced Sociability in Eighteenth-Century France."

Molina, María José de la Torre. “‘After the Fashion of Spain’: Music, Dance, and Identity in the Work of Francis Carter (1772-1773).”

Monahin, Nona. "Decoding Dance in Shakespeare’s Much Ado about Nothing and Twelfth Night."

Monahin, Nona. "Negotiating Text and Movement: Some Challenges in Staging Dance in Shakespeare’s Plays."

Monahin, Nona. "Writing for Posterity: A Reassessment of Arbeau's Orchésographie (1589)."

Monteiro, Filipe Pinto. “The ‘Sick Dancers’: The Construction of Medical Knowledge about the ‘Epidemic of Dance’ in Itapagipe, Salvador, Bahia (1882–1901).”

Montoya, Pilar. "The Minuet under the Reign of Philip V."

Morris, Mark. “The Other Giselles: Moncrieff’s Giselle, or, The Phantom Night Dancers, Loder’s The Night Dancers, and Puccini’s Le Villi.”

Morrison, Clint, und Sarah B. Rude. "Prefacing the marvelous: dance in popular medieval French and English literature."

Motnik, Marko. "Die neu entdeckte Choreographie des Balletts Wiener Walzer: Eine getanzte Musik- und Kulturgeschichte."

Mourey, Marie-Thérèse. "Birken und das Ballet: Werke, Kontexte, Theorien."

Mourey, Marie-Thérèse. "Bühnentanz, Ballett und Pantomime im Europa des 18. Jahrhunderts: eine Landschaft im Umbruch."

Mourey, Marie-Thérèse. "Entre défiance et haine : discourir sur la danse dans l’espace germanique (XVIe-XVIIIe siècle)."

Mourey, Marie-Thérèse. "Höfisches ‚Ballet’, Zeremoniell und fürstliche Repräsentation im Umfeld von Sophie Charlotte von Hannover (1668-1705)."

Mourey, Marie-Thérèse. "Kultur und Identität, Theologie und Anthropologie: Gottfried Taubert im Kontext des frühen 18. Jahrhunderts."

Mourey, Marie-Thérèse. "L’art du ballet de cour, ou performer le pouvoir dans l’espace germanique au XVIIe siècle."

Mourey, Marie-Thérèse. "Le livret de ballet dans l’espace germanique (XVIIe-XVIIIe siècles), formes et fonctions."

Mourey, Marie-Thérèse. "Le manuscrit Instruction pour dancer et son contexte culturel: les pratiques de danse en Allemagne au début du XVIIe siècle."

Mourey, Marie-Thérèse. "Reformation und Tanz."

Mourey, Marie-Thérèse. "Rists Tanz- und Balletinventionen: Das Celler Hochzeits-Ballet Die Triumphirende Liebe (1653)."

Mourey, Marie-Thérèse. "Zwischen Allegorie und Mimesis: Das frühe Ballet de cour."

Mourey, Marie-Thérèse. Les corps en spectacle: Danser dans le Saint-Empire (xvie–xviiie siècle).

Mullally, Robert. "Flemish Art and Burgundian Dance, c.1470 to c.1500."

Musketa, Konstanze. "„daß ein rechtschaffener Tantzmeister müsse ein guter Musicus seyn“: Anmerkungen zum Wirken des Tanzmeisters Gottfried Taubert (1670–1746)."

Naudeix, Laura. "La danse vue par Molière : discipline académique et profession artistique."

Ndiaye, Noémie. ""Come Aloft, Jack-little-ape!": Race and Dance in The Spanish Gypsie."

Nestola, Barbara, Benoît Dratwicki, Julien Dubruque, und Thomas Leconte (Hg.). The Fashioning of French Opera (1672-1791): Identity, Production, Networks.

Nevile, Jennifer. "Dance as a Physical Expression of Music in the Fifteenth and Early Sixteenth Centuries. Sources, Context, and Performance Practice."

Nevile, Jennifer. "Dance Lessons, Mirrors and Minuets: Martin Engelbrecht’s Engraving Das Tantzen / La Danse."

Nevile, Jennifer. "Decorum and Desire: Dance in Renaissance Europe and the Maturation of a Discipline."

Nevile, Jennifer. "Performer-Audience Relationships in Fifteenth- and Sixteenth-Century Danced Spectacles."

Nevile, Jennifer. Footprints of the Dance: An Early Seventeenth-Century Dance Master’s Notebook.

Nikitin, Dmitry A. "Balls of the Russian Empire in the 18th-19th Centuries: How We can look at them in the Light of Modern Ideas about the Quality of Dance Events."

Nocilli, Cecilia. "Afinidades, contaminaciones y apropiaciones en la traducción española (1630) de Le Gratie d’Amore de Cesare Negri."

Nordera, Marina. "Archétypes et figures de l’« immodeste ballerine » au théâtre (Italie, XVIe-XVIIe siècle)."

Nordera, Marina. "Danser seule au XVIIIe siècle: un espace féminin de création et transmission?."

Nordera, Marina. "Is choreo-graphy a matter of time or space? For an epistemology of perception through dance notation history."

Nordera, Marina. "Représenter la dissimulation: Hommes et femmes au bal (Italie, xvie siècle)."

Nordera, Marina. "Working or dancing: the iconography of the wise and foolish virgins (Low Countries, sixteenth and seventeenth centuries)."

Novak, Boris A. "Zum Verhältnis zwischen Poesie und Musik bei den Troubadours."

Nowaczek, Jadwiga. "Reconstructing the Ball Scene in "The Sorrows of Young Werther" by Johann Wolfgang von Goethe: Minuet - Allemande - Deutscher Tanz - Waltz."

Okamoto, Kimiko. "Conflict and Harmony: Phrasal Correlations between Dance and Music in Early Eighteenth Century France."

Olivesi, Vannina. "Between pleasure and censure: Marie Taglioni, choreographer during the Second Empire."

Olivesi, Vannina. "Traces du vedettariat chorégraphique à l’Opéra: Talents, célébrité, genres de danse et hiérarchisation sexuée des rémunérations dans les Tablettes de renommée (1785) de Mathurin Roze de Chantoiseau."

Paczkowski, Szymon. "Polish Dances in German Baroque Music Culture."

Panzanaro, Valentina. "«Con la misura giusta per ballare». Salvatore Mazzella e i suoi Balli (1689)."

Pappacena, Flavia (Hg.). Il ballo a Torino 1748-1762: dalla Raccolta de' balli fatti nelle opere del Real Teatro.

Pappacena, Flavia, und Lorenzo Tozzi. "The Italianization of French Dance: Dauberval at the Teatro Regio at Turin in 1759."

Pappacena, Flavia. "L’esperienza francese di Magri a Torino nel 1763 con Augusto Huss."

Pelker, Bärbel. "Ballett am kurfürstlichen Hof in Mannheim und Schwetzingen: Ein Überblick."

Pfister, Béatrice. "Du côté des partisans de la danse : place de l’apologie, portraits de l’adversaire dans les textes du XVIIe siècle."

Pfister, Béatrice. "Noverre’s and Angiolini’s pantomime ballets: the theoretical implications of the choice of ballet subjects."

Philippi, Daniela. "Ballet Performance as Motivation for Pasticcio Practices - Gluck's and Berton's Cythère assiégée (1775)."

Philp, Mark. "Music and Movement in Britain, 1793–1815."

Pintiaux, Benjamin. "Les danses "populaires" dans les suites françaises pour clavecin (1670-1730)."

Plaza Orellana, Rocío. “Marie Guy-Stéphan Y El Jaleo De Jerez. Un Daguerrotipo De Baile Español.”

Podlesnik Tomášiková, Lidija, und Marko Motnik. “Laibacher Deutscher after the Congress of Laibach.“

Poidevin, Nelly. "Les représentations des archets dans le contexte de danse en France et en Allemagne au tournant du XVIIIe siècle."

Pontremoli, Alessandro, und Chiara Gelmetti (Hg.). Cesare Negri: Un maestro di danza e la cultura del suo tempo.

Pontremoli, Alessandro. "Balli di Pastori e Ninfe (Il Pastor Leggiadro - 1602)."

Pontremoli, Alessandro. "Fiore de virtù. Un ballo di “mesura” e nobiltà."

Pontremoli, Alessandro. "Una Bataglia Toscana. Il Manoscritto Magliabechiano 31 della Biblioteca Nazionale di Firenze."

Pontremoli, Alessandro. “‘Del Origin et Nobiltà Del Ballo’: La Danza Fra Natura e Cultura in Un Trattato Inedito Di Giulio Mancini.”

Pontremoli, Alessandro. L’arte del ballare: Danza, cultura e società a corte fra XV e XVII secolo.

Price, Chris. "Pictorially Speaking, so Ludicrous: George IV on the Dance Floor."

Pruiksma, Rose A. "Pomey rewrites Scudéry: the novel source for Pomey's rhetorical sarabande description."

Pruiksma, Rose. "Of Dancing Girls and Sarabandes: Music, Dance, and Desire in Court Ballet, 1651–1669."

Pruiksma, Rose. "Preparing the nobility for war: The politics of the Ballet des Triomphes (1635)."

Pruiksma, Rose. "Rethinking Burlesque Forms in Louis XIII ballets: Dance, Music, and Politics in Burlesque ballets, 1625-1635."

Pujol-Coll, Josep. “‘Den Lugar a Los Negrillos’: Villancicos y Danzas ‘de Negro’ En La España Del Siglo XVII.”

Pujol-Coll, Josep. “Un Babau Entre Minuets i Altres Balls Del Segle XVIII.”

Pullin, Nira Jean. "The Charleston in relation to the Music and the 1920’s."

Ralph, Richard. The Art that all Arts do Approve: Manifestations of the Dance Impulse in High Renaissance Culture: Studies in Honour of Margaret M. McGowan: Dance Research Volume 25 Issue 2.

Rannow, Angela. "Heiter bis Lustig: Tanz beim adligen Beilager des Kammerjunkers Gottfried von Wolffersdorff mit Kammerjungfer Anna Elisabeth Pflug am 8. und 9. Februar 1659."

Rasch, Rudolf. "Jacob Klein “The Elder”, Dancing Master of the Amsterdam City Theatre in Corelli’s Time."

Ravelhofer, Barbara. "Rituale der Sterblichkeit: Der Totentanz in Bild und Aufführung."

Ravelhofer, Barbara. "Shakespeare and Dance."

Ravelhofer, Barbara. "Visual Effects in the Wedding Masques of 1613."

Raviart, Naïk. "Ateliers pratiques: le branle simple."

Raviart, Naïk. "Le manuscrit Instruction pour dancer: quelques éléments de méthodologie."

Raviart, Naïk. "Les Menuets à quatre, un statut original de la danse."

Rentsch, Ivana. "»Klang-Rede« aus dem Geiste des Tanzes. Das Menuett als satztechnisches Ideal bei Johann Mattheson."

Rentsch, Ivana. "Der adlige Tänzer. Soziale Norm und musikalische Form im 17. Jahrhundert."

Resche, Emmanuel. "La technique du violon à danser: Un jeu de violon à la française?."

Ring, Weijie. Tanz in der Literatur: Zum kulturgeschichtlichen und ästhetischen Wandel in der Sattelzeit (1750–1850).

Rocha, Luzia Aurora. "An Unexpected Presence, or the Master of Dance and the Master of Music in Portuguese Baroque Society."

Rohmann, Gregor. "Tanz als Krankheit, Tanz als Therapie. Die Formierung eines religiös-medizinischen Konzepts (15. und 16. Jahrhundert)."

Romain, Baptiste. "Stepping Away from the Notation. Reconstructing Instrumental Practices in 16th-Century Dance Repertory."

Romey, John. "Court Airs Performed in Seventeenth-Century French Streets."

Rothermel, Jelena. ""Les plaisirs du peuple et de l'aristocratie": Jean-Claude Gilliers Tanzmusik zwischen Foire und Comédie-Française."

Rothermel, Jelena. "Hasse's Comic Tunes als Quelle italienischer Tanzkonventionen in London."

Rottensteiner, Gudrun. “Eduard Eichler: der letzte steiermärkisch-ständische Tanzmeister.“

Roucher, Eugenia. "Instruction pour dancer: à l’origine de la découverte et de l’édition du manuscrit."

Royston, Darren. "‘Filthie groping and uncleane handlings’: An examination of touching moments in dance of court and courtship."

Ruel Robins, Marianne. "Dancing, morality and the religious origins of secularization in France, 1500–1650."

Russell, Tilden. "1703–1717: A Golden Age in Dance Theory."

Russell, Tilden. Dance Theory: Source Readings from Two Millennia of Western Dance.

Russell, Tilden. Theory and Practice in Eighteenth-Century Dance: The German-French Connection.

Sabee, Olivia. "Charles Lepicq and the Neapolitan Ballet d’Action."

Sabee, Olivia. "Dancing the Social Contract: The White Divertissement and the French Revolution."

Sabee, Olivia. "Encyclopedic Definitions: Tracing Ballet from the Encyclopédie to the Gazzetta Urbana Veneta."

Sabee, Olivia. "Noverre’s Letters in Venice 1787-1794."

Sabee, Olivia. "The Rat de l’Opéra and the Social Imaginary of Labour: Dance in July Monarchy Popular Culture."

Sabee, Olivia. "Théophile Gautier's Ballet d'Action: Rewriting Dance History through Criticism."

Sabee, Olivia. Theories of Ballet in the Age of the Encyclopédie.

Sadler, Graham. "Louis Dupré and the Isthmian Games: Reconstructing the sequence of actions during an Olympic-style contest in Rameau’s Naïs (1749)."

Sainato, Ilaria. "Siena LV 29 and an Unknown Dancing Master."

Samuelian, Kristin F. "Dancing in Time and Place: Figuring Englishness in Romantic Periodicals."

Sauer, Uta Dorothea. "Countess Maria Aurora von Königsmarck as poet and dancer at the court of Dresden."

Sauer, Uta Dorothea. "The Social Relevance of Noble Dance: Gaining Power: The Historical, Anthropological and Psychological Arguments."

Sauer, Uta Dorothea. Tanz und Repräsentation: Machtdarstellung im Ballet de cour der Wettiner und ihrer Verbündeten im protestantischen Raum (1600-1725).

Schabalina, Tatjana. "„...verfasset von GOTTFRIED TAUBERT Maitre de Dance in Zerbst“: Bisher unbekannte Traktate von Taubert (1670-1746) in der Russischen Nationalbibliothek."

Schleiner, Torben. "»daß die täntze auf hochzeiten nichts anderes sind als lauter mißbräuche«: Hochzeitstanz in deutschsprachigen Tanzdiskursen des frühen 18. Jahrhunderts."

Schleiner, Torben. "Bierfiedler und ausgelassen-trunkenes Tanzen in Kursachsen um 1700: Annäherungen an vielgescholtene soziokulturelle Praktiken aus historisch-anthropologischer Perspektive."

Schleiner, Torben. "Popularkulturelle Anleihen in Fuzelier/Rameaus Entrée Les Fleurs. Fête persane (aus Les Indes galantes, 1735/36)."

Schroedter, Stephanie. Paris qui danse: Bewegungs- und Klangräume einer Großstadt der Moderne.

Schweynoch, Evelyn. "Bühnenkostüm oder Standesbekleidung?: Betrachtungen und Ideen zu drei Justaucorps aus zwei Sammlungen."

Segal, Barbara. ""Every Savage can Dance" or, Dance as a Class Identifier."

Segal, Barbara. "Dance in Baroque Art: Some Pitfalls of Interpretation."

Segal, Barbara. "Pantomime in Early 18th Century London: its Perception and Reception."

Segal, Barbara. "The Contribution of Dance and Pantomime to London’s Musical Culture."

Senelick, Laurence. "Ballroom Frenzy and the Clodoche Quadrille."

Shabalina, Tatiana. "Discoveries of Two Treatises by Gottfried Taubert: Findings in St. Petersburg."

Simone, Paola De. "Nuove fonti d’archivio su Gennaro Magri fra questioni teatrali e aﬀari patrimoniali."

Sing Key, Samantha. "Aristocratic Pretension in Republican Ballrooms: Dance, Etiquette, and Identity in Washington City, 1804."

Smith, Bruce R. "Putting the "Ball" Back in Ballads."

Sokolova, Alla V. “The Influence of the Culture of France and Italy on the Genre of Masque in England.“

Sonntag, Jörg. "Die Wirkmacht der Nachahmung. Tanzende Heilige und tanzende Klosterleute im hohen und späten Mittelalter."

Sparti, Barbara (Autor), Gloria Giordano und Alessandro Pontremoli (Hg.). Dance, Dancers and Dance-Masters in Renaissance and Baroque Italy.

Sparti, Barbara. "Italy and the French noble style: Links, possible influences and precedents."

Spicer, Richard C. "Aaron Thompson, His Book of Notes: First American Transcription of Five Country Dances From the Revolutionary War era."

Spring, Matthew. "Beyond the Choreography – Social Dance in Context in Georgian Bath."

Spring, Matthew. "The Fleming Family's Dance Academy at Bath 1750-1800."

Springthorpe, Nigel. "The Polonaise and Mazurka in mid-eighteenth-century Dresden: Style and Structure in the Music of Johann Christian Roellig."

Stevens, Alison. "Music in the Body: The Eighteenth-Century Contredanse and Hypermetrical Hearing."

Stocker, Kathrin, Hanna Walsdorf, und Gerrit Berenike Heiter. "“Une gamme d’effets théâtraux”: Thoughts on Dance, Grimace, and Action in the Turkish Ceremony."

Stocker, Kathrin. "Bauernhochzeiten und Wirtschaften am württembergischen Hof im 17. und 18. Jahrhundert."

Stovel, Nora Foster. “The Creation of the Romantic Ballet Giselle: The Ballerina’s Hamlet.”

Sturtz, Linda L. "Ladies Dressed as Men Dressed as Ladies."

Sundukova, Daria. "Balls in the Russian Noble Assembly from the 1780s to the 1840s."

Svarstad, Elizabeth. "Dance and social education in early nineteenth-century Christiania."

Svarstad, Elizabeth. "Kort Udtog (1742): A Danish Translation of Gottfried Taubert’s Kurtzer Entwurff der Nutzbarkeit des Künstlichen Tantz-Exercitii (1727)."

Svarstad, Elizabeth. „Traces of dance and social life: A dance book and its context.”

Testi, Lucio Paolo (Hg.). "E finita poi la rifacino da chapo": La danza curtense tra generazioni e ri-generazioni.

Testi, Lucio Paolo, und Maria Cristina Esposito. "Il Papa che insegna ballar di balletti à sua scholari: Trascrizione e note critiche / Revisione e note di commento."

Testi, Lucio Paolo. "«Et perche con l’arte si può superare la natura»: Moti, forme e nature del corpo rinascimentale in un trattato d’arme."

Testi, Lucio Paolo. "«Fidelitas Panormi Gloria». Le danze di Livio Lupi da Caravaggio: Nota introduttiva [e trascrizione]."

Testi, Lucio Paolo. "Bassa et Alta: una misconosciuta forma coreutica."

Testi, Lucio Paolo. "De Vestimenta: Facezie sull’indumentaria antica."

Testi, Lucio Paolo. "Due Gelosie Toscane."

Testi, Lucio Paolo. "Epitome Saltantibus: Confronti tra teorie e prassi coreografiche della tradizione quattrocentesca."

Testi, Lucio Paolo. "Il Papa che insegna ballar di balletti à sua scholari: Tra le righe di un “promemoria”."

Testi, Lucio Paolo. "La Pavana Matthei: un unicum nella trattatistica italiana."

Testi, Lucio Paolo. "Ruota di Fortuna Baletto: un'eredità condivisa."

Testi, Lucio Paolo. "Una Caccia Lucchese."

Thorp, Jennifer. "Dance in Opera in London, 1673–1685."

Thorp, Jennifer. "From Chambord to Dorset Garden?: Mr. Isaac and his role in Le Bourgeois gentilhomme."

Thorp, Jennifer. "La Feste de Chantilly and the dances of Guillaume-Louis Pécour, August 1688."

Thorp, Jennifer. "London Celebrations of the Wedding between the Princess Royal and the Prince of Orange in 1733-1734."

Thorp, Jennifer. "Monsieur L’Abbé in London: The early years, 1698-1715."

Thorp, Jennifer. "Mrs Elford: Stage Dancer and Teacher in London, 1700-1730."

Thorp, Jennifer. "Rank Outsider or Outsider of Rank: Mr Isaac’s Dance ‘The Morris’."

Thorp, Jennifer. The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne.

Tomasevic, Nika. "Fabiani - Ballon - Favier: The Conquest of Pre-Republican Rome (1790-1797)."

Tomassini, Stefano. "Commedia dell’Arte in Dance."

Tomko, Linda. "Anthony L’Abbé’s “Türkish Dance” and cultural resonances in early Georgian England."

Towne, Douglas. "The Duple-Time French Gigue."

Tuck, Bill. "Dance and the Muse of Comedy."

Tuck, Bill. "From Rigaudon to Reggaeton: The Perception and Reception of European Dance Cultures in the Caribbean."

Tuck, Bill. "The Lunatic Asylum Ball: Voyeuristic Spectacle or Dance Therapy?."

Tuck, William. "The Dances in Dioclesian."

Tuck, William. "Who played for the dance in the 15th century?"

Tuppen, Sandra. " ‘Triumph, victorious Love’: Le Triomphe de l’Amour (1681) and English dramatic opera."

Unfried, Hannelore. "L'Alliance Quadrille: A History Painting with Polka Mazurka Steps."

Vallejo, Juan Ignacio. "Los usos del libro y de la escritura en el ballet europeo del siglo XVIII: el caso de Las Cartas sobre la danza y el ballet de Jean-Georges Noverre."

Vallejos, Juan Ignacio. "Los usos del libro y de la escritura en el ballet europeo del siglo XVIII: el caso de Las Cartas sobre la danza y el ballet de Jean-Georges Noverre."

Vanistendael, Cornelis. "Dancing in- and outside the Barracks: Napoleons’ Army, the dansomanie and the Vogue of the Quadrille in the Southern Netherlands and the Principality of Liège from a European Perspective (1799–1815)."

Vanistendael, Cornelis. "La Ville et la Cour se Mélèrent – Napoleon’s Propaganda Quadrilles (1793–1813)."

Vanistendael, Cornelis. "Shaping Europe's First Dance Craze – The Role of Napoleon's Grande Armée in the Dissemination of the Quadrille (1795-1815): Case Studies in Cultural Mobility from the Southern Netherlands."

Vanistendael, Cornelis. De stijlvolle verovering van de wereld: de genese, incubatie en disseminatie van nieuwe dansrepertoires (1756-1818): voorbeelden uit de Zuidelijke Nederlanden en Prinsbisdom / Land van Luik in Europese context.

Versteegen, Gijs, Stijn Bussels, und Walter Melion (Hg.). Magnificence in the Seventeenth Century: Performing Splendour in Catholic and Protestant Contexts

Walsdorf, Hanna (Hg.). Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in Le Bourgeois gentilhomme (1670).

Walsdorf, Hanna, Marie-Thérèse Mourey und Tilden Russell (Hg.). Tauberts "Rechtschaffener Tantzmeister" (Leipzig 1717): Kontexte - Lektüren - Praktiken.

Walsdorf, Hanna, und Gerrit Berenike Heiter (Hg.). Stadt Land Hof.

Walsdorf, Hanna, und Jelena Rothermel (Hg.). Tanz Musik Transfer.

Walsdorf, Hanna, und Kathrin Stocker (Hg.). Ritual Tanz Bühne.

Walsdorf, Hanna. "»beim Tanzen auf die allerneueste und galante Manier jedesmal bedacht zu seyn«: Johann Friedrich Fasch und die Zerbster Hoftanzmeister Borckmann und Taubert."

Walsdorf, Hanna. "»Charakter« und »Stil« im Musik- und Tanzdiskurs (ca. 1680-1750): Eine Begriffsgeschichte in Zitaten."

Walsdorf, Hanna. "»Zur Frewde gantz bequem«: Tanzmusik in Mitteldeutschland im Spiegel der Leipziger Messkataloge (1594–1660)."

Walsdorf, Hanna. "An der Wiege einer neuen Gattung: Balli und Moresche in der frühen italienischen Oper von Monteverdi bis Kapsberger."

Walsdorf, Hanna. "Die Domestizierung der Sarabande: Ursprungsnarrative eines höfischen Tanzes in der Frühen Neuzeit."

Walsdorf, Hanna. "Eine europäische Stilgemeinschaft?: Italienische Tanzweisen im Nürnberg des 16. Jahrhunderts."

Walsdorf, Hanna. "Lernkultur Ballett: Funktionen, Be/Deutungen und die Rede von der Performanz."

Walsdorf, Hanna. "Morgens in die Kirche, abends zum Ball: Versuch über das historiographische Erzählen vom Musikleben im Frankreich des 17. Jahrhunderts."

Walsdorf, Hanna. "Neue Quellenfunde zur Biographie Gottfried Tauberts (1670-1746)."

Walsdorf, Hanna. "Sounding ‘La Turquie’ in France and Prussia: From Lully to Campra to Graun."

Walsdorf, Hanna. "Tanz im Mannheimer Jesuitentheater (1720-1773): Eine Spurensuche."

Walsdorf, Hanna. "Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung."

Walsdorf, Hanna. "Terpsichore und die Bedeutung des Tanzes in Praetorius’ Schaffen."

Walsdorf, Hanna. "Zur Einführung: Eine kleine Geschichte terminologischer Inkonsistenzen im Diskurs über den Tanz in der Frühen Neuzeit."

Walsdorf, Hanna. Für Gott und die Welt: Musik zu den Statuspassagen Ludwigs XIV. (1638-1662).

Welch, Ellen R. "Fictions of the Courtly Self: French Ballet in the Age of Louis XIV."

Welch, Ellen R. "Rethinking the Politics of Court Spectacle: Performance and Diplomacy under the Valois."

Whitta, James. "Between Cloister and Court, Virtue and Virtuosity: Gestural Discourse in Medieval Monastic Literature and Early Modern Dance."

Wiley, Roland John. "Dances in Opera: St. Petersburg."

Winerock, Emily F. "Churchyard Capers: The Controversial Use of Church Space for Dancing in Early Modern England."

Winerock, Emily F. “Competitive Capers: Gender, Gentility, and Dancing in Early Modern England.”

Winerock, Emily. ""We’ll measure them a measure, and be gone": Renaissance Dance Practices and Shakespeare’s Romeo and Juliet."

Winerock, Emily. "“The Heaven’s True Figure” or an “Introit to All Kind of Lewdness”?: Competing Conceptions of Dancing in Shakespeare’s England."

Winerock, Emily. "Licence to Speak: Gender and Masking in Shakespearean Dance Scenes."

Winkler, Nicoline. “"Desmarcherez 3 pas sans bouger": On the practicability of the Instruction pour dancer.“

Wittrock, Eike. Arabesken: Das Ornamentale des Balletts im frühen 19. Jahrhundert.

Woolley, Andrew. "From Arrangements to New Compositions: Seventeenth-Century French Dance Music in Portuguese and Spanish Keyboard Sources to 1720."

Yepes, Ana, und Anna Romani. "De la Jácara à la Sarabande: Analyse de quelques extraits de chorégraphies françaises « à l’espagnole » en notation Beauchamp-Feuillet et comparaison avec les pas et les mouvements de bras [...]."

Zedler, Andrea. "En Tour de France et d'Italie: Musik und Tanz in der Reisekultur der Frühen Neuzeit."

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