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Inserra, Incoronata. Global tarantella: Reinventing southern Italian folk music and dances.

Kandare, Camilla. "Queenship in Motion: Queen Christina of Sweden and the Embodiment of Social Protocol."

Karl-Johnson, Gabriella. "From the Page to the Floor: Baroque Dance Notation and Kellom Tomlinson’s The Art of Dancing Explained."

Kenley, McDowell E. "Mad fools and the Praise of Folly: matassins and the ballets of Lully, Destouches and Campra (1660-1718)."

Kent, Ann and Paul. "The Nyne Muses - A Workshop. A realisation of the dance entitled The nyne muses."

Klapisch-Zuber, Christiane. "Salome's dance."

Lymniati, Roula. "Making Movements and Dances from Illustrated Dancing Bodies on Vases from the Geometric Period & Ancient Texts."

Mayes, Catherine. "In Vienna “Only Waltzes Get Printed”: The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century."

McGowan, Margaret M. "Dance’s Debt to Artists in Early Modern France."

Miller, Lynneth J. "Divine punishment or disease? Medieval and early modern approaches to the 1518 Strasbourg dancing plague."

Mullally, Robert. "Flemish Art and Burgundian Dance, c.1470 to c.1500."

Nevile, Jennifer. "Performer-Audience Relationships in Fifteenth- and Sixteenth-Century Danced Spectacles."

Nordera, Marina. "Working or dancing: the iconography of the wise and foolish virgins (Low Countries, sixteenth and seventeenth centuries)."

Okamoto, Kimiko. "Conflict and Harmony: Phrasal Correlations between Dance and Music in Early Eighteenth Century France."

Olivesi, Vannina. "Between pleasure and censure: Marie Taglioni, choreographer during the Second Empire."

Paczkowski, Szymon. "Polish Dances in German Baroque Music Culture."

Preston, VK. "Baroque Relations: Performing Silver and Gold in Daniel Rabel's Ballets of the Americas."

Pullin, Nira Jean. "The Charleston in relation to the Music and the 1920’s."

Ruel Robins, Marianne. "Dancing, morality and the religious origins of secularization in France, 1500–1650."

Russell, Tilden. Theory and Practice in Eighteenth-Century Dance: The German-French Connection.

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