Zum Hauptinhalt springen

Ergebnisse
Filter Bibliographie:
12 Treffer

Suchwort:

Gesetzte Filter:

Barros, Ricardo. "Apollon: disheartened hero or afflicted god?."

Clegg, Roger. "“When the Play Is Done, You Shall Have a Jig or Dance of All Treads”: Danced Endings on Shakespeare’s Stage."

Daye, Anne. "“The Revellers Are Entering”: Shakespeare and Masquing Practice in Tudor and Stuart England."

Daye, Anne. "Dancing at Court: ‘the art that all Arts doe approve’."

Gough, Melinda J. Dancing Queen: Marie de Médicis' Ballets at the Court of Henri IV.

Heiter, Gerrit Berenike. "The Representation of the Turk in Early Modern French Masquerades and Court Ballets."

Monahin, Nona. "Decoding Dance in Shakespeare’s Much Ado about Nothing and Twelfth Night."

Sauer, Uta Dorothea. "Countess Maria Aurora von Königsmarck as poet and dancer at the court of Dresden."

Thorp, Jennifer. "From Chambord to Dorset Garden?: Mr. Isaac and his role in Le Bourgeois gentilhomme."

Walsdorf, Hanna (Hg.). Ritual Design for the Ballet Stage: Revisiting the Turkish Ceremony in Le Bourgeois gentilhomme (1670).

Winerock, Emily F. “Competitive Capers: Gender, Gentility, and Dancing in Early Modern England.”

Winerock, Emily. "“The Heaven’s True Figure” or an “Introit to All Kind of Lewdness”?: Competing Conceptions of Dancing in Shakespeare’s England."

Volltextsuche

Die Volltextsuche bezieht sich immer auf die gesamte, ungefilterte Bibliographie.

zurück zur Bibliographie

Filter Bibliographie