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Blasdale-Clarke, Heather. "Keller’s Approach: New Perspectives in Dance History."

Broyles, Michael. "Mozart, America’s First Waltz-King."

Burden, Michael, und Jennifer Thorp (Hg.). With a Grace Not to Be Captured: Representing the Georgian Theatrical Dancer, 1760–1830.

Burlock, Hillary. "'Tumbling into the lap of Majesty': Minuets at the Court of George III."

Fader, Don. Music, Dance and Franco-Italian Cultural Exchange, c. 1700: Michel Pignolet de Montéclair and the Prince de Vaudémont.

Finkel, Carola. "Dance in Pasticcios - Pasticcios in Dance."

Fiskvik, Anne Margrete. “Itinerant Female Performers in the Nordic Sphere 1760–1774: Traceability and Visibility.”

Goff, Moira. “Leach Glover, ‘Dancing Master to the Royal Family’ Part One: The Professional Dancer in Context.“

Goulet, Anne-Madeleine, José María Domínguez und Élodie Oriol (Hg.), Spectacles et performances artistiques à Rome (1644-1740): Une analyse historique à partir des archives familiales de l'aristocratie.

Hamlin, Susan. "Les Indes Galantes, an Opéra-Ballet Rediscovered: Les Sauvages on the French Stage."

Hazebroucq, Hubert, und Rebecca Harris-Warrick. "Do Rameau's dances ‘impose physical movement’? A collaborative exploration."

Inglehearn, Madeleine. "The Prince and the Dancing Master."

Lohman, Laura (Hg.). Researching Secular Music and Dance in the Early United States: Extending the Legacy of Kate Van Winkle Keller.

Moehlenpah, Amanda Danielle. "'Les assemblées qu'elle occasionne': Danced Sociability in Eighteenth-Century France."

Philippi, Daniela. "Ballet Performance as Motivation for Pasticcio Practices - Gluck's and Berton's Cythère assiégée (1775)."

Philp, Mark. "Music and Movement in Britain, 1793–1815."

Spicer, Richard C. "Aaron Thompson, His Book of Notes: First American Transcription of Five Country Dances From the Revolutionary War era."

Stevens, Alison. "Music in the Body: The Eighteenth-Century Contredanse and Hypermetrical Hearing."

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