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Bernardy, Ralph. "Das Menuett als Klangrede. Ein Beitrag zur Didaktik der Improvisation."

Brandenburg, Irene. "«Composé sur des airs d'opéras-comiques représentés à Vienne». Zu Glucks Ballettpasticcio Les aventures champêtres (Wien 1760)."

Cazaux, Christelle, Martina Papiro und Agnese Pavanello (Hg.). Tanz und Musik. Perspektiven für die Historische Musikpraxis.

Daye, Anne. "Measure: Moving In and Out of Time."

Domínguez, José María, Gloria Giordano und Chiara Pelliccia. "Beyond Magnificence: The Caduta and its Imagery in the Performing Arts In Seventeenth-Century Rome."

Gal, Mojca. "The Performance Practice of Ballet Music in 18th-Century France. Case Study: The Entrée Grave."

Giordano, Gloria. "‘Si è fatto di nuovo ma impiegandovi molte cose del vecchio’: The Artifice of Magnificence in the Choreographic Episodes at the Seminario Romano."

Goulet, Anne-Madeleine, und Michela Berti (Hg.). Noble Magnificence: Culture of the Performing Arts in Rome 1644-1740.

Harris-Warrick, Rebecca. "Ending an Opera: What Happens When Dancing Replaces Singing?."

Hazebroucq, Hubert. "Les airs d’opéra chorégraphiés: Transferts contextuels et exemplarité."

Hoppu, Petri, Egil Bakka, und Anne Margrete Fiskvik (Hg.). The Nordic Minuet: Royal Fashion and Peasant Tradition.

Martinez, Yseult. "Parcours et figures: l’enseignant en danse et son milieu à Paris et Versailles (fin XVIIe-XVIIIe siècle)."

Panzani, Ludivine. "Se faire une place en province: stratégies et pratiques des maîtres à danser dans le marché de l’enseignement (années 1750-1780)."

Thorp, Jennifer. The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne.

Walsdorf, Hanna. "Tanzlied, Singtanz, «Singballett». Eine repertoire- und forschungsgeschichtliche Erkundung."

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