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Baird, Thomas, K. Meira Goldberg und Paul Jared Newman. "Changing Places: Toward the Reconstruction of an Eighteenth Century Danced Fandango."

Barker, Sheila, und Tessa Gurney. "House Left, House Right: A Florentine Account of Marie de Medici's 1615 Ballet de Madame."

Barlow, Jeremy, und Moira Goff. "Dancing in Early Productions of The Beggar’s Opera."

Bayle, Christine. "Reconstructing La Gillotte from the Manuscript Instruction pour dancer les dances."

Burden, Michael. "Dancers at London’s Italian Opera Houses as Recorded in the Libretti."

Burden, Michael. "Masque, Nationality, and Image: Baiting the show with a Dutch Dance."

Busch-Salmen, Gabriele, Monika Fink, und Thomas Nussbaumer (Hg.). Der Tanz in der Dichtung - Dichter tanzen.

Dartois-Lapeyre, Françoise. Übersetzung von Margaret M. McGowan. "A Multi-Layered Analysis of Dancing in Eighteenth-Century French Opera."

Daye, Anne. "Seventeenth Century Dance Spaces: The Infrastructure."

Daye, Anne. "The Role of Le Balet Comique in Forging the Stuart Masque: Part 2 Continuation."

DeFord, Ruth I. Tactus, Mensuration, and Rhythm in Renaissance Music.

Dennison, Hazel. "Delizie e Danze: A tangible Context for an intangible Heritage."

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Dewulf, Jeroen. "From Moors to Indians: The Mardi Gras Indians and the Three Transformations of St. James."

Faulds, Katrina Lee. “Invitation pour la danse”: Social dance, dance music and feminine identity in the English country house c.1770-1860.

Ferrari-Barassi, Elena. "Iconography of Iconography: Dance in Ancient Roman Representations, Canova's Works and Their Reproductions in Engravings."

Glon, Marie. "Faire voyager des danses et des idées: la formation d’un espace chorégraphique européen par les « danses gravées » au xviiie siècle."

Haas, Anna de, und Jed Wentz. "Les Enfans du Sr. Frederic: The Identities and Performances of a Theatre Family Active in The United Provinces, 1758-1763."

Hellsing, My. "Court and Public in Late Eighteenth-Century Stockholm: The Royal Urban Life of Duchess Charlotte, c. 1790."

Jeschke, Claudia. "Fandango in nineteenth-century theory and on European stages."

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